All Giovanni Battista Tiepolo 's Paintings
The Painting Names Are Sorted From A to Z

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Choice ID Image  Paintings (From A to Z)       Details 
21924 Sarah and the Archangel (mk08)  Sarah and the Archangel (mk08)   1726-1728 Fresco,height c.400cm,width c.200cm Udine, Palazzo Arcivescovile
40542 Sarch and the Archangel  Sarch and the Archangel   mk156 1726-28 Fresco Height
69126 scipios adelmod  scipios adelmod   1743 olja på duk 60x44 se
62189 Sense of the story of the Holy Spirit and progesterone  Sense of the story of the Holy Spirit and progesterone   mk280 Oil on canvas 58.7 x 45cm
33745 St Charles Borromeo  St Charles Borromeo   mk86 c.1767-1769 Oil on canvas 122.6x111.5cm Cincinnati,Cincinnati Museum of Art
21837 St Charles Borromeo (mk08)  St Charles Borromeo (mk08)   c.1767-1769 Oil on canvas, 122.6x111.5cm Cincinnati,Cincinnati Museum of Art
79145 St Jacobus defeats the Moors  St Jacobus defeats the Moors   Oil on canvas 317 x 163 cm cjr
66450 St Jacobus defeats the Moors.  St Jacobus defeats the Moors.   St Jacobus defeats the Moors. Budapest, Museum of Fine Arts. Olio su tela, 317 ?? 163 cm Inv. 649.
62188 St James the great  St James the great   mk280 Oil on canvas 317 x 163cm
1614 St.Thecla Liberating the City of Este from the Plague  St.Thecla Liberating the City of Este from the Plague   1759 Duome, Este
97358 Susanna und die beiden Alten  Susanna und die beiden Alten   1722-1723 Medium oil on canvas Dimensions 56 X 43 cm cyf
61038 The Allegory of the Planets and Continents at New Residenz.  The Allegory of the Planets and Continents at New Residenz.   The Allegory of the Planets and Continents at New Residenz.
84145 The Annunciation  The Annunciation   Date ca. 1725(1725) Medium Oil on canvas cjr
87968 The Annunciation  The Annunciation   1725(1725) Medium Oil on canvas cyf
86325 The Apotheosis of Admiral Vittor Pisani  The Apotheosis of Admiral Vittor Pisani   1743(1743) Medium Oil on canvas Dimensions 41 x 72 cm (16.1 x 28.3 in) cyf
72962 The Apotheosis of Saint Roch  The Apotheosis of Saint Roch   "The Apotheosis of Saint Roch," oil on canvas, by the Italian artist Giovanni Battista Tiepolo. 16 1/8 in. x 13 3/8 in. Yale University Art Gallery, gift of the associates of fine arts. Courtesy of Yale University, New Haven, Conn. cjr
51315 The Apotheosis of the Pisani Family  The Apotheosis of the Pisani Family   1761-62 Fresco, 2350 x 1350 cm
1618 The Banquet of Cleopatra  The Banquet of Cleopatra   1743-44 National Gallery of Victoria, Melbourne
40560 The Banquet of Cleopatra  The Banquet of Cleopatra   mk156 1746 Fresco 650x300cm
43271 THe Banquet of Cleopatra  THe Banquet of Cleopatra   mk170 1740-1750 Oil on canvas 46.3x66.7cm
63770 The Banquet of Cleopatra  The Banquet of Cleopatra   1746-47 Fresco Palazzo Labia, Venice For the face of Anthony Tiepolo fell back on a type of portrait which he often used in other contexts, e. g. for the god of war, Mars. This section lets us see the detailed rendering of the ornamental decoration on the armor and helmet, thus demonstrating the importance Tiepolo assigned to such apparently insignificant details.Artist:TIEPOLO, Giovanni Battista Title: The Banquet of Cleopatra (detail) Painted in 1701-1750 , Italian - - painting : historical
41283 The Capture of Carchage  The Capture of Carchage   mk161 Oil on canvas
51318 The Death of Hyacinth  The Death of Hyacinth   1752-53 Oil on canvas, 287 x 235 cm
82576 The Death of Hyacinthus  The Death of Hyacinthus   Date ca. 1752-1753 Medium Oil on canvas Dimensions 287 x 232 cm (113 x 91.3 in) cjr
39632 The death of t he consul Brutus in single combat with aruns  The death of t he consul Brutus in single combat with aruns   mk150 c.1728/3 Canvas 383x182cm
1613 The Finding of Moses  The Finding of Moses   c1730 National Gallery of Scotland, Edinburgh
40544 The Finding of Moses  The Finding of Moses   mk156 1730 Oil on canvas 202x342cm
23507 The Finding of Moses (nn03)  The Finding of Moses (nn03)   c 1730 Oil on canvas 202 x 342 cm 79 x 134 in National Gallery of Scotland Edinburgh
1612 The Immaculate Conception  The Immaculate Conception   1767-69 Museo Nacional del Prado, Madrid
28139 The Immaculate Conception  The Immaculate Conception   mk61 1767-1769 Oil on canvas 279x152cm
1616 The Last Communion of St.Lucy  The Last Communion of St.Lucy   1747-48 Santi Apostoli, Venice
20703 The Last Supper (mk05)  The Last Supper (mk05)   ca 1745-50 Canvas 32 x 35 1/2 (81 x 90 cm)Acquired in 1877
40569 The Marriage of the emperor Frederick Barbarosa and Beatrice of Burgundy  The Marriage of the emperor Frederick Barbarosa and Beatrice of Burgundy   mk156 1750-53 Fresco 400x500cm
52047 The Martyrdom of St Agatha  The Martyrdom of St Agatha   c. 1756 Oil on canvas, 184 x 131 cm
51317 The Martyrdom of St. Bartholomew  The Martyrdom of St. Bartholomew   1722 Oil on canvas, 167 x 139 cm
1617 The Meeting of Anthony and Cleopatra  The Meeting of Anthony and Cleopatra   1746-47 Fresco Palazzo Labia, Venice
51316 The Rage of Achilles  The Rage of Achilles   1757 Fresco, 300 x 300 cm
51299 The Sacrifice of Iphigenia  The Sacrifice of Iphigenia   350 x 700 cm
97064 The Sacrifice of Iphigenia  The Sacrifice of Iphigenia   ? X ? cm Date ? Medium oil on canvas cyf
51320 The Sacrifice of Melchizedek  The Sacrifice of Melchizedek   1740-42 Oil on canvas, 1000 x 525 cm
63766 The Scourge of the Serpents  The Scourge of the Serpents   The Scourge of the Serpents (detail) 1732-35 Oil on canvas, 164 x 1356 cm (complete frieze) Gallerie dell'Accademia, Venice During the 1720s Giambattista Tiepolo developed a new colouristic style of painting derived in principle from the dazzling palette of Veronese and the no less brilliant one of Sebastiano Ricci. Rejecting the tenebrous colour of Piazzetta, we witness in Tiepolo the triumph of colour with a richness of resonance and counterpoint elaborated within the ordered and monumental composition. The great frieze, originally below the choir of the Venetian church of SS. Cosma and Damiani on the Giudecca (Zanetti 1771), is a fine example of Tiepolo's work of the 1730s. The painting in its ornate stucco frame decorated with fruit, flowers and leaves is over 13 metres long. Three episodes are depicted with a decorative illusionism contrasting with the declared realist-narrative intent, rendering the painting somewhat melodramatic effect.Artist:TIEPOLO, Giovanni Battista Title: The Scourge of the Serpents (detail) Painted in 1701-1750 , Italian - - painting : religious
64329 the sicisbeo, c.  the sicisbeo, c.   1785 venice,carezzonico
51262 The Theological Virtues  The Theological Virtues   c. 1755 Oil on canvas, octogonal, 38,8 x 38,1 cm
63769 The Three Angels Appearing to Abraham  The Three Angels Appearing to Abraham   1726-1729 Fresco, 4000 x 2000 cm Palazzo Patriarcale, Udine Abraham kneels in prayer, awed by the appearance of the three angels, who float on a very solid-looking white cloud. The scene illustrates both the promise to make Abraham "a father of many nations" and the favour shown by God towards him, as described in the book of Genesis. Although the divine origin of the angels is made clear by their being placed in the upper portion of the picture, Tiepolo has portrayed them with very human features.Artist:TIEPOLO, Giovanni Battista Title: The Three Angels Appearing to Abraham Painted in 1701-1750 , Italian - - painting : religious
20711 The Tooth Puller (mk05)  The Tooth Puller (mk05)   1754 Canvas 32 x 43 1/4''(81 x 110 cm)Pendant to Carnival Scene or the Minuet Collection of Count Algarotti in Venice 1779;bequeathed in 1938 R.F
42070 The traslacion of the holy house to Loreto  The traslacion of the holy house to Loreto   mk166 Toward 1743 I Wave on cloth
28476 The Triumph of Aurelian  The Triumph of Aurelian   mk60 Oil on canvas 215x127"
1620 The Triumph of Zephyr and Flora  The Triumph of Zephyr and Flora   1734-35 Museo del Settecento Veneziano di Ca'Rezzonico, Venice
51265 The Virgin Appearing to Dominican Saints  The Virgin Appearing to Dominican Saints   1747-48 Oil on canvas, 340 x 168 cm
51319 The Virgin Appearing to St Philip Neri  The Virgin Appearing to St Philip Neri   1740 Oil on canvas, 360 x 182 cm
52225 The Virgin with Six Saints  The Virgin with Six Saints   1737-40 Oil on canvas, 72,8 x 56 cm
62180 There are parrot portrait of young woman  There are parrot portrait of young woman   mk280 Oil on canvas 70 x 52cm
87550 Treffen von Marc Antonius und Kleopatra  Treffen von Marc Antonius und Kleopatra   Date 1747-1749 Medium Oil on canvas cjr
92291 Treffen von Marc Antonius und Kleopatra  Treffen von Marc Antonius und Kleopatra   1747-1749 Medium oil on canvas cyf
41148 Triumph of ephy and Flora  Triumph of ephy and Flora   mk157 1731-32 Oil on canvas 395x225cm
89420 Triumphzug der Fortitudo und der Sapienzia  Triumphzug der Fortitudo und der Sapienzia   c. 1745-1750 Medium oil on canvas Dimensions Deutsch: 299 x 379 cm cjr
96637 Triunfo das Artes  Triunfo das Artes   from 1729(1729) until 1730(1730) Medium oil on panel Dimensions 55.5 X 72 cm cyf
90259 Venus und Vulcanus  Venus und Vulcanus   1758-1760 Medium oil on canvas Dimensions Deutsch: 69 x 87 cm cjr
51266 Woman with a Parrot  Woman with a Parrot   1760-61 Oil on canvas
51261 Worshippers  Worshippers   1743-45 Fresco transferred to canvas, 410 x 198 cm
56127 young woman with macaw  young woman with macaw   mk247 c.1760,oil on canvas,ashomlean museum,oxford,uk
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Giovanni Battista Tiepolo
Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

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